The Eroticism of Things
Collections on the History of Sexuality
Duration: December 3, 2019 – March 30, 2019
The Wilzig Museum Building is hosting an opening reception for new exhibitions by The Naomi Wilzig Erotic Art Museum (The Naomi WEAM, FKA the World Erotic Art Museum), the George Daniell Museum, and the Bob Bonis Archive (as a preview for the upcoming Bob Bonis Museum, coming in 2020).
What makes things erotic? Is it the explicit depiction of naked bodies and sexual practices?
Or is it the implicitly suggestive form, color, and materiality of things themselves? Some things are designated for erotic use from the beginning, others only get eroticized retrospectively.
While nudes have entered many living rooms as replicas of respectable works in the art-historical canon, erotica has often gotten censored, tabooed, and banned. The distinction between eroticism, art, and pornography has always been in constant flux and continues to sway people’s perception and categorization of sexually charged things.
This exhibition builds upon the collections of the art collector Naomi Wilzig (1934–2015) and the sexologists Magnus Hirschfeld (1868– 1935) and Alfred C. Kinsey (1894–1956). All three collectors considered erotic things documents toward a universal human sexual history. In addition to the case studies, interviews, and statistical observations Hirschfeld and Kinsey carried out, collecting, sorting, and classifying erotic objects formed a cornerstone of their scientific work on sexuality. Naomi Wilzig was issue driven and saw her collection as a contribution to sexual enlightenment and liberalization.
This exhibition does not replicate each collector’s classification system, it arranges a selection of everyday objects from the collections according to a new set of criteria: agents of love, tools of pleasure, bodies to use and erotica are the key terms.
The given object types are complemented with items from the collection of the Werkbundarchive – Museum der Dinge.
This show treats the eroticization of things as a cultural practice and attempts to ascertain what gives them their erotic quality. The shape of things, their similarity to the body or its parts and resulting fantasies of touching them are decisive factors in the erotic effects things have, be they natural or man-made. Deliberately or not, the design of everyday objects regularly draws on primary and secondary gender markers. The tactile promise held by certain materials – among them leather, silk, fur, lacquer, latex, nylon, and metal – seems to be a particularly attractive force.
What makes these materials so desirable?
Sexology and psychoanalysis labeled the eroticization of things and fixation on certain objects as fetishism and pathologized that phenomenon for a long time. By contrast, Hirschfeld affectionately referred to erotic things as “agents of love.” Now a whole industry manufactures these things, euphemistically called toys.
The exhibition The Eroticism of Things shows all kinds of different erotic relationships people can enter into with things and treats the eroticization of things as a cult practice that can play out either implicitly or explicitly, in the imagination or in deed, alone or between two or more people. Certain objects can kindle desire and lust, provoke erotic fantasies, and become tools of pleasure, as artworks by Stephanie Sarley and Marc Martin also show.
The Eroticism of Things was produced by the Werkbundarchive – Museum der Dinge, Berlin, the Research Center for the Cultural History of Sexuality at Humboldt University, Berlin in cooperation with WEAM, Miami Beach and the Kinsey Institute at Indiana University, Bloomington.
The Naomi WEAM - The Eroticism of Things: Collections on the History of Sexuality
The exhibition The Eroticism of Things traces the material and immaterial production of eroticism. Using examples culled from the collections of sexologists Magnus Hirschfeld and Alfred Kinsey, as well as from Naomi Wilzig's collection, it sheds light on differing natures of and intents in collecting and presenting erotic things. This is a joint exhibition by the Research Center for the Cultural History of Sexuality at Humboldt University, Berlin and the Museum of Things. Produced in collaboration with the Kinsey Institute and The Naomi WEAM. Website: www.weammuseum.com
George Daniell Museum - New York, New York: The City, the People
George Daniell's time in New York in the 1930s laid the foundation for his career and had a great impact on his work. Strolling through the city, he captured his experiences in memorable photographs. While visiting galleries, George Daniell made friends with Georgia O'Keeffe. Produced in collaboration with ZentralDepot and the George Daniell Estate. Website: www.georgedaniell.org
Bob Bonis Archive - The Rolling Stones: A Day in the Life
The Bob Bonis Archive presents an exclusive historic collection of photographs of the Rolling Stones' first-ever trip and recording sessions in America. This played a seminal role in the formation of the band, and the recordings that took place made up the majority of the band's second album. Photos taken by tour manager for the Beatles and the Rolling Stones Bob Bonis, show the band in the studio recording songs and downtime between recordings.
This celebration is part of the official Art Basel lineup of events. The reception is open to the public and will feature music by DJs Andres Aguirre and Mayra Jaimes, an open bar, and access to all museum galleries. For details, visit www.wilzigmuseumbuilding.com